Weekly Author’s Day

I have recently started working four days a week to write one day. To make it work I have created a few structural strategies and some mental ones.

“If you do not fill your day with high priority actions that inspire you, your day will fill up with low priority distractions…” Dr. Demartini

My Structural Strategies:

  • Wednesday Writing Day — it was not only good for the company I work for, as my busiest days are Monday and Friday; it is to signal my mind that my day off the job is still a Working Day.
  • A day for Writing — it is NOT for laundry, for cleaning, buying groceries or lazying on the beach. I can go to the beach, for lunch-and-back, or to write there, or to plot about something I’m writing, but meaningful work has to be achieved.
  • Journaling — a list of writing-related tasks completed — that serves as an antidote to poisonous thoughts and create the proof that I have and am doing enough.
  • Physical Writing Space — a great writing space with a desk that allows for standing or seating, with a beautiful, large monitor and a super cute typewriter (just in case the world ends and the computers stop working, if that happens I can keep writing!).
  • No shoes, no bra — I wake up and make my bed, dress comfortably but in clothes that mean business, make my coffee and setup my computer at my workspace. I do make allowances though, unless I’m going out, no shoes, no bra are allowed.

My Mental Strategies:

  • Boundaries, boundaries, boundaries — nothing is permitted to invade my sacred space, not my shit, not anyone else’s.
  • No limits — I refrain from any commitments on this day, even lunchtime, early mornings or evenings, I never know when creativity will flow best, so I reserve the full day to allow for it to catch me at any time of the day.
  • Clear and achievable goals — keeping them visible and constantly in mind; focusing on them as primary objectives.
  • Flexible discipline  with a strong commitment to the process. I work first in my primary objectives, if it that isn’t flowing, I do anything related to the writing process: it might be creating ideas, researching characters, taking notes, writing about the process, keeping the admin tasks of the job in check. All work is valid, even napping while considering a narrative plot.
  • Break the resistance — try first, what you most want to achieve, start, put effort, if it flows, you just keep going; if not, do some other useful task; if the flow doesn’t come, it wasn’t resistance, it just wasn’t the best moment to write that part. (Based on Seth Godin’s ideas on “The Icarus Deception: How High Will You Fly?”
  • Allow for changes in environment — make writing and researching excursions; change the writing location when the house is not the right mental space.
  • What takes me closer to my mission? — is the question that saves my sanity every time, whenever I am indecisive about something. Make choices, any choices are better than none, any word count is better than nothing, any writing related activity is valid.
  • Reward good work.

Lastly I keep reminding myself that there are no rights and wrongs in my writing days, there is only what takes me closer to my mission at that moment!

Delayed Achievements

I have achieved something that has been in my radar for many years. On 1st September 2018, I reduced my day-job journey to four days a week, to give myself one day a week of full time writing.

Right at the beginning I was organising my “Ideas for Writing” folder and found a list of writing goals I had set for 2017 and realised I had accomplished all of them by September 2018, one of them being the weekly author’s day. It was inspiring, even if there was a delay in the completion of the goals and it was a lesson that told me to keep establishing goals and not giving up on them even when they don’t follow my original timeline.

I can’t express how grateful and fulfilled I am feeling. Having one full day of quality time, fresh-brain, undivided attention to dedicate to my passion is unbelievably powerful. I am finding that not only I produce much more efficiently, the inspiration comes more powerfully, and the anxiety I used to feel over not having time to write has lost its grip on me.

I used to feel anxious every time I had an idea, and no energy or time to write it.

Another interesting aspect is that with the writing day in the middle of the week, (I chose Wednesdays for my Writing day) I get more done on weekends too. There is a momentum effect, by the weekend I haven’t forgotten what I have been working on, it just simmers under the surface, boiling new ideas and aspects to focus on…

I will never take this opportunity for granted, I feel grateful to each of the moments and aspects of my life that allowed me to get here.

Inspiration Outside of Me

I have finished a Masters in Arts, Creative Writing, at UTS, in June 2015. At the time I didn’t feel the accomplishment, the excitement in finishing up, just a bit of relief. I loved the course most of the time, I loved almost all classes and felt inspired throughout. At the end I was feeling it was just a bit too much outside input into my writing and I was loosing myself.

When I completed the final assignment I was left with more questions than answers. I started the course to gain technique to write in English, but more specifically, the project I used throughout the course: my non-fiction, written like fiction, comedic, novel, about my friend who is a Brazilian, migrated Australian, who has been a belly dancer in Sydney, performing mostly in the middle Eastern Communities of the city.

As you can notice, it is a complicated project and I needed help to set it up. The inspiration and the stories are not a problem, how to link them, present them and frame them is my challenge.

I had hoped that by the end of the Masters I would have found this structure, but I found only the questions I need to answer in order to find this structure and a bit of a sense of being lost.

I gained a lot of technique and believe I am much better equipped now then before I started. I have a thicker skin and a knowledge of where to look for information too.

By the time the Graduation Ceremony arrived I was able to release the impressions of not getting as far as I wanted and had the most beautiful day  with my sister and my friend (the Muse, the Character).

The following day, it was Elizabeth Gilbert who made me realise why I felt and should feel happy and accomplished. We have TED Tuesdays at work and we watched Elizabeth’s talk that day.  She explained that a valid idea is to think of  divine inspiration as, well, divine, as is coming from outside you.

I remembered that when I was in classes no teacher would say: you chose the voice, the tone, the verbal tense, define the character and then you pray, or talk to your daemons, or to your genius, and ask for guidance. As it would be expected, we are taught to control, to wrestle with our internal intellectual gifts and bend the words into shape.

I realised that was the one thing I forgot during these studies, the thing I lost connection with, the part that lives outside of me: the sudden, potent, and magical inspiration that makes a text become funny with a few twists of words, or that make people love what you wrote even when it is imperfect.

When I heard Elizabeth talking about this part of the creative process that is not my own I was relieved of the responsibility to do it all alone, by myself, with my second language, happen. I was given the solution to all my problems and the certainty that it will come to me, and the book will be able to carry the immense fun that the stories are.

I have a super-power, an intuition capable of seeing through the veil of what is hidden to the naked eye. Sometimes I know things without an explanation and most times, when these things can be confirmed, they are as I predicted. I have an intuition about this book, I think it will be important.

The second thing the talk gave me was a confirmation of why I was feeling accomplished. Elizabeth explains that artists have one responsibility: keep doing what they love, keep sweating and showing up to their art. That is the only way your genius will find you. I also concluded that honing your technique and getting better and better at it will allow you to transmit the divine inspiration into shape. Imagine what would happen if Van Gogh was able to see the sunflowers in his mind but didn’t know how to paint. His genius would have gone somewhere else.

With these two thoughts — that an artist has to show up to her art and that technique allows you to make real your ethereal inspirations — I saw my new testamur as the proof of how much I am so committed to this art and that I am doing my part, I am showing up to my writing.